I’ve previously talked on here about how I think many of the innovations of Vampire: the Requiem represent improvements over Vampire: the Masquerade – and yet, I’ve tended to find myself more interested in the older game’s 20th Anniversary Edition and its supplements than in the Requiem line. The problem is that Requiem, in its original presentation, manages to be just different enough from Masquerade to excite you with the possibilities of a different vision of vampires and vampiric society whilst not quite being different enough to avoid reminding you of Masquerade and feeling like a slightly fanfic-y remix of the more archetypal presentation of the concepts there.
This is probably an artifact of the way Requiem was originally published as an outright replacement for Vampire: the Masquerade, rather than as an interesting and novel alternative for it. This really put the original designers in an impossible bind; on the one hand, they had to make Requiem recognisably different from Masquerade to stop it feeling like a cynical cash grab, whilst at the same time they had to make it similar enough to the original so that those who liked Masquerade didn’t end up completely out in the cold.
Of course, these issues have been exacerbated of late by the publication of the V20 line, bringing the Classic World of Darkness back into the picture. Now that those who dig Masquerade have ongoing support for the line from Onyx Path, there’s no need for them to look to Requiem unless it’s for its unique selling points – which were not as strongly played up as they could have been in the original version. A second edition of Requiem, liberated from any need to pander to the Masquerade crowd to soothe their hurt at the old line’s termination, has been necessary for a while now, particularly in the light of the God-Machine Chronicle rules update which established some interesting and distinctive mechanical differences between the Classic and New World of Darkness systems.
However, matters were complicated by Onyx Path’s relationship with CCP, who were of the opinion that putting out official second editions of the New World of Darkness stuff would confuse consumers in the lead-up to the launch of their World of Darkness MMO. Frankly, I think CCP were kidding themselves there – most videogamers would not and would never be aware of Requiem in the first place, and those who were would understand the distinction between the MMO’s Classic World of Darkness-derived background and the New World of Darkness. Either way, they refused permission to put out new editions until after the MMO project was cancelled, which is why the God-Machine Chronicle exists in the form it does in the first place, and why Vampire: the Requiem 2nd Edition first hit the market as Blood & Smoke: the Strix Chronicle.